San Gimignano: Pisstaking Memories of Medieval Manhattan

Deep within the inner cloisters of the Rockafeller Monastery, Don Draper and Roger Sterling furrow their brows and put their brains to work, as they attempt to formulate their order’s position on the Arian heresy. Was Christ entirely divine, entirely human, or somewhere in between? Just around the corner, crowds are gathering in the Madison Square market; Neil Simon and Billy Joel have written a new mystery play about the crucifixion, and it receives its premiere tonight in a production by the Stonemason’s Guild. Podesta Clinton says a short prayer before heading into the Palazzo Pubblico to face the city council; her rival faction have demanded that she walk across twenty yards of glowing hot coals tonight, that the city may find out whether God is on her side. Outside the city walls in the tiny hamlet of Williamsburg, Lena Dunham fretfully waits out the long hours in her convent cell. The mother superior has placed her in solitary confinement for inappropriately touching a new novice sister. Still, she is better off than her friends Marnie, Jessa and Shoshana, who were all married off to cloth merchants, sent away to cope with the biting winters of Antwerp, and died in their mid-teens during childbirth. Such is daily life in San Gimignano, the Medieval Manhattan.

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